Watching male rapes and Nazis over a late fifties bubble-gum music soundtrack made me wish Kenneth Anger had never gotten a hold of a video camera, but by looking back as his work as a whole it becomes apparent that he was a visionary. He experimented with elements of film and controversial issues that were far before his time, diving into the counter-culture. At first glance my impression was that Anger’s full intent and purpose when making his films was to shock, disgust, and mystify his audience to make them think about the art of cinema. But with some further investigation, I think maybe these troubling shorts may just be true expressions of a bizarre man.

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