Posts Tagged ‘independent film’

End of the line folks!

Friday, January 30th, 2009

Sundance 09

Here we are, the glorious Sundance Film Festival 09′ in Park City Utah has come to an end! Man, it has been one awesome / exhausting trip. I just want to start by saying I am so grateful that I was given this opportunity to go on such an enriching journey that I will carry with me for the rest of my life. Ever since I can remember, which is pretty much back to my terrible twos, I can remember having a deep interest which blossomed into full on love for film. I have always been the person who gets overly emotional during a film and will start tearing up or straight out bawling. Or I will be on the floor laughing uncontrollably, preferrably the latter. Although, I do like a good cry every now and then, it’s therapeutic.

I have been lucky to indulge in this interest and study film at Eckerd, taking some extremely interesting and fun courses where I have actually worked on the making of short films. I hope to pursue a career which can be like a creative outlet for me, like tv and film!

I made various connections both business wise and friend wise! I climbed the never ending staircase to heaven (our beautiful condo, situated perfectly on Empire Avenue, looking over mainstreet.) I walked wide-eyed up the infamous main street, taking in all the people and places. I shmoozed with the rich and famous, (mostly extremely friendly and talented filmmakers I met at slamdance) which was an experience in it of itself. I feel as though I soaked up as much as I could, although I do wish I took the time to watch a few more movies, since the whole point of the trip was watching film! I have taken away a new understanding and appreciation of independent films and I definitely hope to be able to attend the Sundance Film Festival again, and bombard my brain with more films that will leave me questioning and anticipating more.

I also want to note the great experience I had volunteering at Slamdance, Slamdance might be (according to some) a smaller festival formed by the “reject” films from Sundance, but to me it is right up there with Sundance if not cooler! All the people I met / worked with were super friendly and made my time there quite pleasant. I also saw most of the films that Real Ideas Studio worked on with Slamdance in the aspiring filmmakers film competition, all of these films were quite good and inspiring! 

Here is a quick review of all the films I saw and what they were each about: (more…)

I Was So There: My Sundance Experience

Friday, January 30th, 2009

Me waiting in line for a premiere at Eccles Theater

Me waiting in line for a premiere at Eccles Theater

I love the fact that I can say I’ve been to the Sundance Film Festival! I can honestly say that I had a great time. The people, the places, the films were all amazing.

I think I’ve picked up a new appreciation for what it means to be a filmmaker. I never really thought about what it takes to get an independent film made, but I just spent the last three weeks pondering this and it’s a little overwhelming. If I were a filmmaker, I’d say thank God for Sundance and other such festivals. That includes Slamdance, where I happily volunteered for the alternative festival housed in one hotel near the top of Main Street. (more…)

Helen: Sundance Drama

Thursday, January 29th, 2009

Ashley Judd as HELEN

Ashley Judd as HELEN

 
Ashley Judd performs brilliantly in the extremely dramatic and touching film, HELEN. Written and directed by Sandra Nettelbeck, Helen examines a woman who seemingly has the “perfect life” (a successful teacher, married, has a beautiful daughter) but is actually struggling with serious mental illness that is deteriorating her mentally  as well as physically. We watch Helen being eaten away from inside out by her bipolar disorder and depression. We also witness the powerful and inspiring bond that arises between her and another woman through their struggles. The breakdown Helen undergoes is extraordinarily realistic as well as heart wrenching.

Talk about, depressing, dark and emotion driven, this film is not for the faint of heart. The cinematography compliments the story to a T. The muted and monochrome like colors juxtaposed with Helen’s descent into mental illness are genius. 

What I really liked about this film was that it was not your cliche film what with predictability and a happy ending. I loved the elusiveness that existed within the story and how there was not always easy answers or any answers at all, and things didn’t always work themselves out. I also loved the message of never giving up no matter how hard it is and even when you want to give up more than anything. I am  a big believer in the saying, “What doesn’t kill you, makes you stronger,” and this message definitely emanates from the film. (more…)

Sundance Features, 2009: Paper Heart

Monday, January 26th, 2009
Charlyne Yi in Paper Heart Charlyne Yi in Paper Heart

Charlyne Yi (Chuck), the awkward Asian-American girl with big glasses from Knocked Up, is an LA- based artist and comedian who plays herself in this faux documentary (winner of the screenwriting prize at Sundance 2009), about the making of a documentary about a girl who wants to know whether love is for real.  She traverses the country, speaking to people from all walks of life: scientists, married couples, both straight and gay, a romance novelist, a divorce judge and family lawyer who happen to be married, a psychic, musicians, kids.  All of those she talks to seem to believe in the possibility of love, and Charlyne wonders whether it could happen to her.  

Of course it does.   (more…)

The Shorts are Nothing Short of Incredible!

Wednesday, January 21st, 2009

The originality of the shorts I have seen is astounding! They are true examples of independent thinking in film. A whole universe unfolds before me in fifteen minutes or less and the creativity is evident in every precious second.  

I have experienced shorts from both Sundance and Slamdance. At both festivals, they are screened in blocks of five or six at a time. Though Sundance would save the Q and A session with all the directors for the end, Slamdance chose to try letting each director speak right after his or her film, which I enjoyed more. The Sundance approach made it harder to remember all the way back to the first films in the block.  

A few that really stood out to me, though they were all fantastic, were Captain Coulier (space explorer), Sparks, and Next Floor at Sundance, and The Covenant of Mr. Kasch and I Don’t Sleep I Dream at Slamdance.

Captain Coulier and his crew

Captain Coulier and his crew

Captain Coulier is a throwback to fifties science fiction movies but the captain is just so bored! His saucer-like space craft calmly drifts along hoping to stumble upon something more interesting than the vacuum of space and his four man crew tries desperately to go above cruising speed every time he leaves the room. He clings to the hope that one day his lackluster explorations will all be worth it. I was particularly keen on seeing this one because the Canadian director and various cast and crew were on our flight from Denver to Salt Lake City! (more…)

Sundance Review: In Love with Lulu and Jimi

Monday, January 19th, 2009

Lulu and JimiLulu and Jimi

I am not a morning person. Any movie I have to wake up at the ass-crack of dawn for (excuse my lewd expression but 7:15 am deserves to be degraded) is not worth seeing. I don’t have a good track record with mornings; by the end of my senior year of high school I had 18 tardy detentions because I came to class fifteen minutes late without fail. I slept through fifteen dollars and what looked like a badass movie the day before, so Lulu and Jimi wasn’t in my good graces when I woke up after a 2:30am bedtime. Oh, Lulu and Jimi… from the first scene I was awake and damn glad to be, a true testament to what, by the end, proved to be a lifetime favorite movie for yours truly.

(more…)

Indie Classics: Shaft

Wednesday, January 14th, 2009

One Bad Mother F***er

One Bad Mother F***er

 

Gordon Parks was the director of Shaft, making one of the greatest most well known blaxploitation films of all time. Of course the wonderful music provided by Isaac Hayes was the icing on the cake in this crime drama. John Shaft is a slick, smooth, and bad ass private investigator. He is the definition of a ladies man and he doesn’t take lip from nobody no matter the circumstance. 

After Bumby a well known drug dealer and pimp in Harlem sends some men out for Shaft one of them ends up dead and the other in the hospital. After  taking some heat from detective Lebowitz Shaft slides out of the hands of the detective. He knows his rights and makes sure that no one suckers him into giving them up.

He ends up meeting up with Bumby to find out what is really going on. Bumby explains that his daughter has been kidnapped and he wants Shaft to find her. He can’t involve the police or he could end up in jail. So Shaft takes the job and he ends up discovering that the Italian mob was behind the kidnapping because Bumby was taking too much of their business.

Without the help of the law Shaft ends up needing the help of an old friend from the streets. With his help and the help of his men he is able to devise a plan to get the girl out of the hands of the mobsters safely. No one can stop Shaft!

Indie Classics: Sex, Lies, and Videotape

Wednesday, January 14th, 2009

Intriguing isnt it 

 

Intriguing isn't it

Sex, Lies, and videotape was written and directed by Steven Soderbergh in 1989. The film was all shot in Baton Rouge, Louisiana where he made the film with a low budget of 1 million dollars. Soderbergh screened this film at Sundance thinking that there would be very few people that would be able to relate to the film, yet it became a huge hit winning him the Palme d’Or at the age of 26.

The story of a cheating lawyer John, played by Peter Gallagher. A prude and puzzled housewife Ann, played by Andie MacDowell. A sinful sister Cynthia, played by Laura San Giacomo. And James Spader plays Graham a man that uses a video camera in a most unconventional way. Soderbergh created the perfect rectangle of drama between the four characters to entertain an audiences around the nation. The dynamic of the characters was what really helped make the movie such a success. All of the characters are unique and very different from one another. (more…)

Indie Classics: El Mariachi

Wednesday, January 14th, 2009

El Mariachi proved to me that not all awesome action movies have to be high budget blockbusters to rock my socks off. The use of the spanish mosaic really fleshes out what may have been missed in the low budget. The price is almost fitting for this movie due to the minimal and bleak outlook of The Mariachi.

I loved the action scenes and a lot of them left me muttering to myself, “Badass…”. To top it all off it didn’t take a helicopter crashing through a building to evoke that reaction which says a lot. Also the main character’s mishaps through out the movie really leads to a closer affection of the lead.

Even though I thought this was an amazing piece of work the flaws of low budget filming do come through. Some shots are hazy and noticeably not at top calibur footage. I, personally can put this aside and just enjoy this top notch flick made by a great director. If you have seen the spin offs, Desperado and Once Upon a Time In Mexico you will love this one.

Indie Classics: Roger and Me

Wednesday, January 14th, 2009

Michael Moore in Roger in Me

Michael Moore in Roger in Me

Roger and Me, Michael Moore’s first documentary is personal look at the devastation of unemployment for the workers in the GM plants in his hometown of Flint Michigan. The film follows a young Michael Moore on his solo quest to speak to the head of GM at the time, Roger Smith, and convince him to witness firsthand the effects of his job cuts in Flint. Though in the end Michael does not achieve any sit down with Smith, the journey towards him, and the many local characters that we meet on the way, makes Roger and Me a quirky comedy with a dark subject matter.

After being fired from a four month writing stint in L.A Michael Moore was living on welfare back in his hometown when he set out to film Roger and Me. Moore had never attempted to make a movie before, had no training in the business, but he felt that as a citizen with a social conscious for is town what was happening needed to be documented. His whole family was GM workers and he had written extensive articles on the subject for his previous newspaper the Michigan Voice, so the subject was near and dear to his heart on many levels. In his commentary on the movie, Michael said that he and his wife (also from Flint) found it too painful to watch the footage back fifteen years later. To me the movie took on a really touching, special quality because I knew how personal a film it was.

Moore courageously brings his camera into some of the most intimate and passed over stories of middle class workers’ lives after being “let go” from their longstanding jobs. He consistently documents the deputy sheriff, Fred  Ross, whose job is to evict families from their houses if they cannot keep up with rent. Not even Christmas Eve is an exception as Moore interlays a screaming family being thrown on the street with a publicized charity Christmas speech made by Roger Smith. Moore even was present to film one of his high school buddies being evicted, and captures the desperation of being stuck in bad circumstances. (more…)