
Although Martin Scorsese is better known for his versatility as a mainstream cinema filmmaker, he began his career creating several independent films. Mean Streets, one of his earlier films, provides the viewer with an insight into the creativity of this brilliant Italian-American filmmaker and sets the benchmark for his future crime/gang related films such as Goodfellas, Gangs of New York, and The Departed. Even though Mean Streets carries many concepts and emotions that are displayed in these future films of Scorsese, the film has its own unique look and feel. I had heard of Mean Streets before but wasn’t prepared for the experience that Kevin Thomas labels as “an unqualified triumph.”
The story is set in Little Italy - New York - where Charlie (Harvey Keitel) is a young Italian-American who is getting ready to go legit and take over a restaurant, thanks to his mob boss uncle Giovanni (Cesare Danova), and has everything one could ask for. His closest friend is Johnny Boy (Robert De Niro) who owes money all over town and eventually brings about Charlie’s downfall. Charlie stands up for Johnny and vouches for him because of something that Johnny did for him in the past. Charlie often goes to church and believes that “you don’t make up for your sins in church, you do it on the streets.” Unknown to Johnny and the others, Charlie is secretly dating Johnny’s epileptic cousin Teresa (Amy Robinson), who wants him to take their relationship public and move in with her. Johnny eventually runs into trouble with a local loan shark Michael (Richard Romanus) and it is then when things slowly begin to get out of hand, making Charlie choose between his future and his friendship/love, leading to a fitting climax.
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